RWA Bristol interview.


Just a quickie...

Last year I was lucky enough to win a prize in the RWA Open Exhibition and recieved coaching (relating to my art practice) from the lovely Alex Moate of New Creations Coaching.

The RWA Bristol recently interviewed me for their Behind the Scenes Blog. Click below to read it...

 

As we open submissions for 163 Annual Open Exhibition we chat to winner of the New Creations Coaching Award: Kate Williamson



  

 

Recent Graduates Exhibition in Cirencester



The Rabbitmen are off on another outing. This time just down the road in Cirencester. Do drop in a and visit them if you are passing. There may be other sculptures of mine on show too. And there will definitely be lots of interesting work from other graduates as well as local A level students.

https://www.facebook.com/artventureatwetpaint

New Rabbitmen

At last I have got around to taking photographs of my 3 new Rabbitmen. The one with his hands on his head is modeled on my youngest brother. (There is also one with his hands behind his back and one with hands clasped in front.) So now there are 6 different poses altogether.

They look as confused as ever...

These new ones are also in an edition of 25 and are currently on their first outing (at the AAF Hampstead).

A selection from the series of postcards I created for the Bristol Artists Book Event

These postcards are my homage to the great illustrator, Dogear Wryde (Edward Gorey) and his Tragedies Topiares. You can see the rest of my series on my website www.katewilliamson.co.uk

Hello Again!

It's been a challenging few months and there have been a lot of changes demanding my attention.

I did carry on with my MA though and finished the first module which involved doing (and writing about) lots of different methods of printmaking. I also made some ceramic pieces and took part in a sketchbook project organised by an American university.
As you will see I got a bit obsessed with depicting men in bird suits...

We have now started the essay module but I am also carrying on making work and experimenting in the Fabrication and Printmaking depts. at UWE aided by the excellent, ever patient technicians.



Lino print

Porcelain Birdman

Drawings from the Sketchlook project



Recent Graduates Exhibition at the Affordable Art Fair

A selection of my work was on show at the Recent Graduates Showcase at the Affordable Art Fair in Battersea. I dropped my stuff off on Monday and was persuaded to return for the PV on Wednesday evening. It was REALLY busy. 

A huge space at the entrance to the Fair is given over to the Graduate Exhibition. The Rabbitmen were displayed differently, again (see below) and the Frog Prince was on a plinth right in the middle of the room. Birdbabies and StoryKeepers were also on show.

Thousands of people will see my work over the next few days which is great but it's really made me think about a lot of things, particularly about the presentation of artwork. There was SO much good art on show in the gallery spaces (mostly really reasonably priced) all competing for visitors attention. 

 



A child ran off with the Frog Prince's crown over the weekend. He looks even more forlorn without it, in this photo taken by the fair organisers. Little did I know at the PV that the Frog Prince would soon no longer be mine. He's going to live in Scotland. Not in a castle but in a very large house.

 

 

20:20 Print Exchange

Later this month some of the members of the Gloucestershire Print Co-op are taking part in an annual Print Exchange with other print workshops round the country. I decided to take part this year.
Each artist produces an edition of 25 prints each measuring 20cm x 20cm, [paper size]. In return each participant will receive a portfolio of 20 randomly selected prints from all over the UK and Ireland. Last year 585 artists from 40 print workshops created 14,625 prints.

Instead of making a new print one of my options was to use a little etching which I made on the 'Introduction to Etching' workshop at uni last year. The print wasn't that exciting - it was my first ever etching after all. Inking it up in different ways didn't really improve it, so then I experimented with colouring the print with watercolours. Painting prints seems to be frowned upon by purists but it really brought this little etching to life. Enough that I thought it would be acceptable as my contibution to the exchange. I printed and painted the edition of 25 over 2 days last week and I've just finished numbering and signing them ready to send them on their way. Now I'm looking forward to seeing what prints I get in exchange...