The Rabbitmen are in Crafts magazine....

advertising the Synecdoche exhibition in London! It felt amazing opening my copy and seeing them there.

Yesterday I packed up and delivered the artwork which is going in the exhibition next week. My contrbution is all very rabbitty. Accompanying the herd of rabbitmen is the original rabbitman collagraph and the Rabbit Suit for Mr Messerschmidt. The exhibition is being organised and curated by fellow students from UWE and I'm taking my turn at invigilating next Saturday. So if you're in London next week do pop in to the Embassy Tea Rooms, Union St, SE1.

Degree Show photos by Mark Tan

Mark Tan is a really talented printmaker and had a studio space next door but one to me at university. He took loads of fantastic pictures of our degree show (including my work) which you can see by clicking on the link below...

 

UWE Drawing & Applied Arts Degree Show

It's all over...

So, the show is over and I've collected all my stuff. I can't quite believe I've finished my degree. And I really wasn't sure about the way the tutors displayed my work but I've had loads of encouraging comments and emails. Over 400 postcards of the Rabbitmen were picked up by visitors! I've even sold quite a bit.
I won't have my final results for a few weeks. Until then I think I will take some time to regroup, take stock, and make some decisions. But I have started work on a new collagraph print which may go in the Synecdoche exhibition in July. And I'd like to go to see a few exhibitions in London. And visit my aunt in Ireland. And clear out my mother's loft. And the garden really needs some attention....


Rabbitmen waiting to hear where their final positions will be in the show

The 'Story Keepers'

The tutors at uni have at last decided which pieces of mine are going to be in the degree show and how they want them displayed. A mixture of 2D and 3D work has been chosen. So I thought I'd make them next in line in the series of posts on some of the ideas and influences behind my work.

I think I will start with the Story Keepers. (There are more pictures of them on my website)

When researching for my dissertation about fairy tales and fine art I discovered that as far as anyone can tell stories of magic and mystery have always been with us. Plato called them 'old wives tales' but they were not only told to children. Long before they were ever written down as 'fairy tales' they were passed on by word of mouth. And, although there may have been a basic plot structure, the details of the stories changed with each retelling to suit the type of audience, the time and place and the motives of the storytellers (who were usually women).

I started to think about creating some sort of timeless female characters who had heard all the stories over the centuries and kept them safe until they were needed again. Originally I imagined that that they had swallowed the stories, keeping them inside a huge, smooth cone shaped body but having childrens faces. (I was looking at the work of the surrealist Leonora Carrington at the time and she often painted children in big cone shaped cloaks.) And at one stage I toyed with the idea of giving them nun-type headgear (I adapted an origami pattern to make a prototype out of paper). But eventually they developed the ear trumpets and the more bulbous patched and worn out bodies, although they still have young faces.

Here are some of the pictures from my reference/sketch book 



making a pattern for the bulbous form



'Echo' (print by Aine Scannell)

            



'ear trumpet' mould from a bicycle bell








Ten Line Tales

I have started a new page on my blog called Ten Line Tales. It's going to contain stories poetry and prose written by all sorts of people in response to some of the artworks on my website.

The end is in sight....

I'm almost at the end of my degree. This is a photo of my stuff waiting to be assessed. My website is all organised now (as part of the Professional Practice module). Just waiting to see what work the tutors choose for the show....

'The Daughter of the Minotaur'

The female minotaur sculpture is next up in my series of posts discussing some of the ideas behind my work. She has elicited a huge variety of responses from those who have encountered her. Some quite sinister. Perhaps because Jesus with little children is such a familiar scenario.

 

 

 

 

She is actually an amalgamation of several ideas and influences. My father used to tell us how, as a small child, he was occasionally taken to visit an old aunt whom he was obliged to kiss and hug. It is a common enough childhood experience. He used to dread it. To his young eyes she has a wobbly cow-like chin and huge breasts which he feared may suffocate him as he was clutched to them! The Daughter of the Minotaur represents those characters and situations which convention (and adults) seems to approve and accept but we, as children, are really not so sure about. Sometimes it's all in the child's vivid imagination (as with my father) but unfortunately sometimes the minotaur is very sinister. 

In this second piece I have started to develop the minotaur's story. She is not an altogether sympathetic character I'm afraid.

 

Her age should mean she is revered but her circumstances are not very grand. She is an imperious creature, sitting in a rather dilapidated armchair, reliant on relatives (those she still has power over) to do her bidding. I have put her on the sort of trolley a child might pull along.

One day I will create a series of pictures featuring my minotaur.
(This is a little drawing from my sketchbook)
But I will continue to be intrigued by other people's interpretations of The Daughter of the Minotaur.